כפר אמני עין הוד Ein Hod Artists' Village

כפר אמנים עין הוד
‏הצגת רשומות עם תוויות donme. הצג את כל הרשומות
‏הצגת רשומות עם תוויות donme. הצג את כל הרשומות

יולי 15, 2010

The Sabbatian movement

http://wocmes.iemed.org/en/preorg-sabbataianism-observed

World Congress for Middle Eastern Studies
Barcelona, July 19th - 24th 2010
Sabbataianism Observed (395) – Panel

• Date: THU 22, 5.00-7.00 pm
• Institution: Furman University (USA)
• Organizer: Cengiz Sisman
• Language: English

• Description: The Sabbatian movement and its subsequent developments represent one of the most enigmatic and paradoxical episodes in Jewish and Islamic history in early modern and modern times. When Sabbatai Sevi, the founder of one of the biggest messianic movement in history, was forced to convert to Islam by the Ottoman authorities in 1666, a small number of believers followed in him and became Muslim; another small group of believers remained in the Jewish folds, and yet another group converted to Christianity in later centuries. Because of its mysterious nature, Sabbataians have been the observed and be the object of much speculation by different people such as Jewish rabbis, Muslim officials, Christian missionaries, and conspiracy theorists. Sabbataians were variously labeled as ‘Ma’amin/believers’, ‘New Muslims’ ‘Donmes/converts’, ‘mamzarim/illegitimate children’, ‘heretics’, ‘Muhammedan Jews,’ or ‘crypto-believers.’ Based on the new archival, rabbinical, European and missionary sources, this interdisciplinary panel aims to shed brighter lights on unknown aspects of the Sabbataians and their observers in Ottoman Empire as well in the West. The papers in this panel, therefore, deal with different aspects of the Sabbataianism such as their beliefs, practices and education; their impacts in history; and other theoretical debates about the Sabbataian studies. Since discussions about them continue up to the present in many Middle Eastern societies, our panel has also debates perception and self-perception of the Sabbaatians in recent periods.

Chair: Madeline Zilfi, University of Maryland
link: Shabtai zvi

מרץ 05, 2010

The Donme, Jewish Converts

Marc David Baer, The Donme, Jewish Converts, Muslim Revolutionaries, and Secular Turks, 2010.

Review by Yitzchak Kerem*

This fascinating work on the internal character of the Donme after their transfer in ca. 1923 from Salonika to Turkey; to primarily Istanbul, and the identities of many of their elite fills in many gaps about their identity throughout the 20th century. Baer traces earlier migrations of affluent Deunme to the Ottoman capital, Istanbul, in the late 19th century; already establishing businesses and settlement patterns. Affluent Salonikan Deunme like the Kapanci family set up commercial networks in Central and Western Europe in the early 20th century. Baer depicts their active role in tobacco business in Salonika, Kavala, Germany, and Turkey. After the fall of Salonika to the Greeks in 1912, many Donme migrated to Istanbul until the end of WWI.

He depicted in Salonika the Donme school of Semsi Efendi, where Mustafa Kemal Attaturk studied, and the school set up by Yakubi sect Salonika mayor Hamdi Bey called Selimiye. Initially in 1873 Semsi Bey set up a school in the tiny mosque of the Karakas Donme neighborhood of Sinancik, but was later assisted by Governor Galip Pasha to build a new building. He moved later to another location, but had to close due to attacks by bigoted Muslim mobs in 1891 and declined enrollment. He opened another school and it closed after being attacked. He finally continued instruction at night in the homes of students. He also paved the way for educating Donme girls, starting in pre-school. Previously, the Donme of Salonika were viewed as a static population, which was scorned by the Muslims, but not afflicted. His pedagogical model inspired the founding of the Donme Terraki (by the Kapanci sect) and Feyziye schools (by the Karakas sect in 1883-4).Baer adds much to our knowledge of the Deunme settlement in Ottoman Salonika; also using Ottoman street names; many previously little known or unknown.

The Terraki and Feyziye schools modernized the Donme, furthered commerce, modern education, literature, and civil service, and produced a new path for reform and morality. The Donme would be a part of the Young Turk movement, and part of the national leadership after the ousting of Sultan Abdulhamid. Journalist Osman Tevfik, editor of Mutalaa (Contemplation) was Attaturk’s teacher of calligraphy and penmanship at the military preparatory school in Salonika. Tevfik’s son Ahmet Emin Yalmin also studied at the military preparatory school and had been a student of Semsi Bey at the Feyziye in the 1890s. Yalmin would be a noted journalist and newspaper editor in Istanbul by the 1920s and would come under attack as a traitor to Turkey as a Donme and after publishing numerous articles in the press explaining the nature
and identity of the Deunme.

Baer noted the rivalries between the Kapanci elite merchants and how this led to splits in schools, but they came back for the common good. This was particularly noticeable after the Donme was transferred to Istanbul in the early 1920s.

Baer did not deal extensively with the actual transfer of the Deunme to Istanbul and hardly depicted an extensive account or testimony, but he noted Donme efforts prevent it and some stastics and details. He noted that there were efforts to send them as far as Samsun and elsewhere, but eventually most gravitated to Istanbul. He minimalized how the Salonikan rabbis refused to recognize them as Jews, and omitted rabbinical fears and rulings against them for alleged wifeswamping and problems of mamzerut (bastardization).

While using Turkish and Greek sources on the Donme, he didn’t use the main known articles and books published in Israel or by Israeli scholars on the Donme by Barnai, myself (Kerem), Benayahu, Liebes, and even Chernish, Gad Nasi and Recanati. In depicting attacks against the Donme in the press in Istanbul in the 1920s, he brings up allegations of wifeswamping amongst the Donme and limited it to the Karakas sect.

He noted that those two hundred Donme who showed Albanian or Serbian citizen or origin could stay in Salonika. A few noted Kapanci merchants and bankers were enabled to remain, and overcame legal and economic obstacles, but most were transferred to Istanbul. Baer’s references to Deunme in Monastir and elsewhere in the ex-Yugoslavia confirmed past rumors or theories, and pointed to their settlement and professional activities there.

Baer showed how the Donme organized in Istanbul in the 1920s, and the problems they had in Turkish society. The journalists Yalman and the Sertels (the couple Mehmet Zekeriya and his wife Sabiha) faced arrests, shutdowns, censorship, lawsuits, and imprisonment. The Sertels founded Resimli Gazete (Illustrated Monthly) which existed between 1924 and 1930. Like Yalman, they were very critical of the government, and came into great conflict with the government. In 1934 Yalman and Sertel collaborated in the publishing of Tan (Dawn) for two years, and clashed with Kemalists and the nationalist Cumhuriyet newspaper.Tan accused its rival of defending fascist propaganda in Turkey and Cumhuriyet accused Tan of spreading ommunist propaganda.

In WWII Yalman restablished Vatan, was closed in 1942 for discussing Charlie Chaplain’s The Great Disaster which mimicked Hitler, criticized facism, and sided with the persecuted Jews of Europe. In 1944 the newspaper was closed again for protesting the Varlik Vergisi, the wealth tax, which played a devastating role against the Donme; as well as against the Jews, and other minorities.

In Istanbul, Baer depicted the settlement of Kapanci in the Nisantas and Tesvikye neighborhoods. The Deunme took the homes of Greek-Orthodox transferred to Greece. He noted how the Karakas, Kapanci, and Yakubis left Salonika at different times and settled separately in Istanbul. Those Donme who excelled in fabrics, timber, and tobacco in Salonika found adverse available opportunities in Turkey, but adjusted. He noted details of the Karakas Feziye school in Nisantas, and other details of Donme settlement in those neighborhoods. He also interviewed descendants of the leading Kapanci merchant family Akif in Niantas. He also noted that the Karakas mainly settled in Bakirkoy, Bayezid, and Sultanahmet. He gave some details of the Karakas, Kibar, Dilber, and Balci merchants.The Kapanci Terakki school in Istanbul was established in Sisli. Girls were not allowed to wear head scarf coverings there. In 1925 Sabiha Sertel became general inspector at that school. The Kapancis were not only affluent tobacco and textile merchants, but ambassadors.

In the political sphere Mehmet Cavid of the Karakas sect was Finance Minister in the 1910s and Kapanci Ahmet Tevfik Ehat served as Finance Minister from 1920 until 1923.

In the 1920s, Istanbul Donme Karakas journalist Rustu turned against the Donme and wanted to reveal their true identity to Turkish society, and unsuccessfully incited the parliament to promulgate laws against them. In defense of the Donme Yalman published depictions of the Yakubis, their preservation of the fate, and active Sufi affiliation.

Baer noted depictions of Galante and the Karakas Gorva of the Donme in the 1930s.
His depiction of the Karakas and Kapanci sections of the main Donme cemetery of Bulbuldere in Uskudar, Istanbul, is extremely valuable and vivid. The Kapancis, unlike other Mulsims and Donme, had photos on their tombs. They refer to themselves as Salonikans and in the 1930s, many died in their early 50s. The tomb inscriptions reveal many biographical details of personalities. Contrary to this, the Karakas tombs are very simple and modest. Unfortuantely, he did not consult my research in that cemetery and in others that was published in historical scholarly and genealogy publications, and it would have been of interest to see how other finds complemented and contrasted what he found.

In WWII, many Donme merchants dealing in commerce with Germany were rejected and considered by the latter as Jews.During the imposition of the 1942 Luxury Tax, the Donme faced much public scrutiny and were attacked in the press. In Salonika, Mehmet Kapanci’s villa was taken over by the Nazi administration.

In Salonika the Donme were active in Ottomanism. However in the Turkish Republic, they were challenged as true Muslims, and discriminated as Jews and foreigners. The minority group the Alevi were discriminated against under Ottoman rule, but in Turkey they thrived and have undergone a renaiisance. In modern Turkey the Donme ave dissipated.

Yalman was severly injured in an assassination attempt in 1952, but survived. In his memoirs, he downplayed his Jewish/Deunme background and all the articles he wrote in the Turksih press in defense of the Deunme.

Baer utilized effectively sources he found in Greece and contemporary Turkey, but overlooked significant prior research and publications from Israeli scholars. Nonetheless, this is an important and revealing work that should be consulted and purchased by all those interested in Sephardic, Greek, Ototman, and modern Turkish studies.

------------------------------

* Yitzchak Kerem is an historian on Sephardic Jewry at the Hebrew University of Jerusalem. He has been the editor of Sefarad, the Sephardic newsletter, since 1991. He is also a former radio moderator of "Diaspora Jewry" (Reshet Bet and Aleph, 2004-2007), section editor for Encyclopedia of the Holocaust and New Encyclopedia Judaica, and is now visiting Israeli professor of Sephardic Studies at American Jewish University of Los Angeles
link

נובמבר 09, 2009

The Donme By Marc Baer


The Donme
Jewish Converts, Muslim Revolutionaries, and Secular Turks
By Marc Baer
Stanford University Press
October 16. 2009
360 p./12 illustrations.

Over the past few years, hundreds of thousands of copies of two books by Soner Yalcin entitled Efendi: Beyaz Turklerin Buyuk Sirri (Master: The White Turks' Big Secret) and Efendi 2: Beyaz Muslumanlarin Buyuk Sirri (Master 2: The White Muslims' Big Secret) have been sold in Turkey. The first purports to uncover the secret Jewish identity of the secular elite that has guided the nation for over a century; the sequel claims to unmask the hidden Jews within leading Muslim families. The cover of Musanin Cocuklari Tayyip ve Emine (Moses' Children Tayyip and Emine) by Ergun Poyraz, the second best-selling book in Turkey in 2007, is a photomontage of Turkish religious Prime Minister Tayyip Erdogan and his headscarf-wearing wife Emine-both of Jewish origin, it contends-trapped within a Star of David. Everyone important in Turkey, it seems, has Jewish ancestry. Ghost Jews haunt the Turkish popular imagination. Many Turkish secularists believe that Prime Minister Erdogan is a crypto-Jew working to undermine Turkey's secular order. Islamists and increasingly, large segments of the Turkish reading public think atheist Jews overthrew the Ottoman sultan, dissolved his Islamic Empire, replaced it with an anti-Muslim secular republic led by the "secret Jew" Mustafa Kemal Ataturk, and still today control the country

דצמבר 28, 2008

Dönmeh דונמה שבתאי צבי, שבתאים

כמאתים ושמונים ושמונה שנים עברו מאז המיר שבתי צבי את דתו, וכת השבתאים ממשיכה את קיומה כעדה סגורה ומסוגרת, קיום סתרים למחצה - עד היום הזה; זו היא הכת היהודית-המושלמנית, כפי שקרא לה בצדק חוקרה היהודי, א. דאנון, שאמנם יהודית היא לפי גזעה ומוצאה, וכן לפי מרבית מנהגיה ודעותיה, נוסף על האמונה בשבתי צבי והנובע ממנה; אולם, קיומה הארוך במסגרת דת האישלאם וכן הלשון התורכית השלטת בקרבה הטביעו עליה את חותמם עד שקבלה צורה תורכית-מושלימית מובהקת בכל הופעותיה, פרט לפולחנה הדתי החשאי
israel

Messiahs in Jewish History


Sabetay Zvi

דצמבר 26, 2008

following Shabtai Zvi Donme

Ulcinj, Montenegro


Donmeh

Following Shabtai Zvi
Sabbatai Sevi
Exhibition – Nechama Levendel & Nadav Bloch

In October 2007, while on an artistic journey through the Balkans, the artists Nechama Levendel and Nadav Bloch were invited to exhibit their work in the municipal gallery of Ulcinj in Montenegro, on the border with Albania.
The gallery was located in a three-story stone building in the center of an archeological site in the old town of Ulcinj. On a preparatory visit to the gallery, the artists climbed to the third floor, where, to their amazement, they discovered a niche in one of the walls over which two Stars of David (Magen David) and on the facing wall two trees were engraved in the stone. The reply to their questions as to the origin of these symbols was that the building had served as the study house of the Messiah Shabtai Zvi and his followers.
Nechama and Nadav, as Jews and as artists, were intrigued by the subject and delved into the saga of the Messiah Shabtai Zvi, which had caused such a shock to the exiled and hunted 17th century Jewish communities. In the second half of the 17th century the Turkish Sultan banished Shabtai Zvi to the farthest corner of the Turkish Empire – the town of Ulcinj, then in Albania. Various sources tell that on Yom Kippur Shabtai Zvi went outside, recited "Shema Israel" and the mosque across the street collapsed, as Shabtai Zvi died. The remains of the mosque can still be seen across the street from the gallery. Shabtai Zvi died in Ulcinj and was buried there, presumably under a false name. The grave is in a closed building and is considered holy.
In May 2008 the artists returned to the town of Ulcinj, and used the gallery as a studio in which they spent two months working on this project. The work process became part of the exhibition entitled "Following Shabtai Zvi", which was shown in Ulcinj, Montenegro, at the Shkodra University in Albania and at the National Gallery in Tirana, Albania.
Nadav Bloch chose to paint on jute (burlap) sacks that were used for coffee, on the premise that trade routes were conduits of culture, through stories and tales told by the merchants about lifestyles, tradition and religion. Kabalistic literature inspired the creation process. Soft colors serve as a background to the design of spheres, upon which appear combinations of numbers and letters taken from Kabala mysticism. In his work, Nadav attempts to examine and interpret the secrets of Messianic faith created by Judaism as a longing for redemption and as a quest for insight and meaning in our spiritual and material lives.
Nechama Levendel shows objects created from books. She received the books from local residents, to which she added motifs concerned with the Shabtai Zvi theme and other local materials: gauze bandages, candle-wax from churches, shoe-polish and so on. The book, which is present in most cultures, sends a material and a spiritual message. In the work process, the book loses its original designation and becomes the bearer of a new visual message, beyond language, comprehensible to every spectator. The book holds a secret. The works are symbolic. Every book tells its unique story.

Opening: January 3rd, 2009 at 18:00
Closing: January 23rd, 2009 at 12:00
Tova Osman Art Gallery
100 Ben-Yehuda St., Tel-Aviv


Sabbatai Sevi

shabbetai zevi


דצמבר 22, 2008

Dunme-בעקבות שבתאי צבי

בעקבות שבתי צבי

צולם ברובע העתיק אולצין מונטנגרו

ulcinj montenegro

sabetay sevi

ברקע בית התלמוד של המשיח שבתאי צבי

בצילום מימין לשמאל ראש הקהילה המוסלמית בבר,יאשה אלפנדרי,נחמה לבנדל,תושב מקומי

Hajro

following Shabtai Zvi Donme

Dönmeh

יוני 04, 2008

Following Shabtai Zvi in Albania












Sot në orën 19.00 në sallën Nr.2të Galerisë Kombëtare të Arteve, prezantohet ekspozita “Folloëing Shabetai Zvi”, e dy artistëve izraelitë Nadav Bloch dhe Nechama Levendel. Artistët izraelitë ekspozojnë për herë të parë në Galerinë Kombëtare të Arteve në Tiranë dhe publiku shqiptar ka mundësinë e një premiere tëartit izraelit të krijuar në ditët tona. Subjekti i ekspozitës “Folloëing Shabetai Zvi”lidhet ngushtë me frymëzimin për të bërë art, duke përfshirë në të ndjesinë dhe frymën e lënë nga profeti hebre Shabetai Zvi në periudhën e fundit të jetës së tij, kaluar në tokën shqiptare në Ulqin, ku u dënua dhe u syrgjynos prej autoriteteve turke, në mesin e gjysmës së dytë të shekullit XVII. Nadav Bloch ekspozon 20 punime në teknikën pigment mbi materialin thes i kafesë, të ricikluar në Ulqin. Nechama Levendel do të ekspozojë 23 punime pigment mbi objekte libra të vjetër, të gjetura në shtëpitë e banorëve të Ulqinit. Të dy artistët janë të njohur në vendin e tyre dhe kanë ekspozuar në Israel dhe në disa vende të tjera të botës. Ekspozita do të qëndrojë e hapur në Galerinë Kombëtare të Arteve nga data 6 -16 qershor 2008. a.m
Nadav Bloch dhe Nechama Levendel besojnë në shenja. Gjatë gjithë historisë që i bëri të realizonin veprat që sot do t‘i prezantojnë në një ekspozitë në Galerinë e Arteve ata kanë ndjekur shenjat. Ashtu si librat e shenjtë shkruajnë, Zoti të flet nëpërmjet tyre. Pasi përshkruan në vende të ndryshme të Evropës, ata u ndalën në Malin e Zi. Në kalanë e Ulqinit ata do të gjenin gjurmët e hebrenjve që u ndalën aty në shekullin XV, duke ndjekur pas atë që për ta ishte Mesi Shabetai Zvi. Ky burrë që tashmë librat izraelitë ia përshkruajnë portretin deri në detaje, ishte mjeshtër i zotërimit të kabalës. Kabala do të thotë të shohësh përtej shkronjave. Shabetai Zvi dinte të shihte përtej çdo shkronje, ashtu siç dinte të shihte përtej historive të shkruara në Bibël.
Atëherë Shqipëria është një ndër këto vende. Si u gjendët këtu?Ne mbërritëm këtu duke ndjekur Shabetai Zvi. Për izraelitët ai është Mesia i shekullit të 15. Ai ishte një njeri mistik, i cili praktikonte kabalën, e cila është sekreti i Biblës. Kabala tregon se fjalët nuk janë ato çfarë t‘i lexon, por ato çfarë fshihen përtej tyre. Shabetai Zvi zotëronte kabalën dhe ishte mjeshtër i zbërthimit të fjalëve. Germat kanë fuqi të ndryshme të njëjtë me kombinimin e disa letrave. Shabetai Zvi lindi në Izmir dhe ishte praktikues i kabalës që në moshën 15-vjeçare. Shumë hebrenj e shihnin atë si një lloj Mesie duke e ndjekur kudo ai shkonte. Ai filloi një udhëtim nga Siria në Egjipt pastaj u hodh në Evropë, duke u ndalur në Holandë, Poloni, Rumani dhe përfundoi në Ulqin.
sabetay sevi
Dönmeh

Babushka babaluba kriva palanka macedonia

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